吉莉安•莱利，英国当代著名美食作家，知名食物史研究者，意大利美食的忠实拥趸。毕业于剑桥大学历史专业的她，某次去意大利公干时，却不可救药地爱上了当地美食，并从此矢志不渝。她已出版了多部关于美食和饮食文化史的著作。

吉莉安•莱利，英国当代著名美食作家，知名食物史研究者，意大利美食的忠实拥趸。毕业于剑桥大学历史专业的她，某次去意大利公干时，却不可救药地爱上了当地美食，并从此矢志不渝。她已出版了多部关于美食和饮食文化史的著作。

Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture, and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian, a...(展开全部)

There is a rich body of encyclopaedic writing which survives from the two millennia before the Enlightenment. This book sheds new light on that material. It traces the development of traditions of knowledge ordering which stretched back to Pliny and Varro and others in the classical world. It works with a broad concept of encyclopaedism, resisting the idea that there was any cl...(展开全部)

托马斯·马太(Thomas F. Matthews)是纽约大学美术研究所的艺术学教授，先后有多篇论文和多本专著论述早期基督教、拜占庭文化和建筑。

The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical t...(展开全部)

The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical t...(展开全部)

Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. The book strongly influenced art students and aesthetes of the day and is still valuable for...(展开全部)

【作者】肯尼斯·克拉克爵士（Sir Kenneth Clark, 1903—1983） 20 世纪杰出的艺术史家。三十岁即出任英国国家美术馆馆长，二战期间主持战时艺术家计划 （War Artists Scheme）。 二战结束后，曾任牛津大学斯雷德教授（Slade profes sor）。他所主持的大型纪录片《文明》于1969 年首播，不仅当时广受欢迎，而且影响至今。 其著作包括《成为达· 芬奇：列奥纳多的艺术传记》（1939）、《艺术中的风景》（1949）、《裸体艺术》（1956）、《今日罗斯金》（1964）、《伦勃朗与意大利文艺复兴》（1966）、《文明》（1969）、《观看画作》（1972）、《动物与人：从史前至今二者在西方艺术中的关系》（1977）等。 ———————————————————————— 【译者】张敢 美术史论专家，清华大学美术...(展开全部)